Imaginen a una joven hada de cabellos rojos, salida de un cuento de Brocéliande, con una voz que oscila entre los registros altos de Kate Bush, la pureza de Sinead O' Connor y el misticismo de Enya, y entonces tendrán una buena idea acerca de esta notable arpista quien se inspira en la música tradicional celtica la cual le sirve para componer y arregla sus propias canciones. http://www.cecile-corbel.com/
1 Hini a Garan 2 Bran 3 Shir Al Etz 4 Hija Mia 5 Je M'Endors 6 Valse Des Ondines
Traditional harp music of Britain & Ireland Farewell to Lough Neaghe is a solo instrumental recording using both gut and wire–strung harps. This is the first CD to feature some of the most important ancient Gaelic wire–strung harp music on a harp constructed with a one–piece willow soundbox.
1. Pibddawns Y Tant/Yr Ysgubau/Y Blodau 2. Roslin Castle/The Lea-Rig 3. Captain O'Neil/Colonel O'Hara/Sir Festus Burke 4. Bryd One Brere/Foweles In The Frith/Edi Beo Thu Hevene Quene/Sumer Is Icumen In 5. Late Hour/The Clock's Back Reel, The 6. Meillionen 7. Maille Bheag O 8. Kilburn Jig/Diarmuid's Well/The Wild Irishman, The 9. Childgrove/Daphne/'Twas Within a Furlong of Edinburgh Town/the Oak and the Ash 10. Farewell To Lough Neaghe 11. Pant Corlan Yr Wyn/Pibddawns Jones/Pwt Ar Y Bys 12. Her Mantle So Green/In Aonar Seal 13. Port 4th/Air By Fingal No. 1/Air By Fingal No. 3/Port 5th 14. When She Cam Ben She Bobbit 15. Planxty Drew/Mary O'Neill/Edmond MacDermott Roe/The Maids of Derry 16. Caismeachd Mhic Iain 'Ic Sheumais/Marbhna Cathaoir Mhic C ba 17. An P ist¡n Fionn/Se n O'Duibhir An Ghleanna 18. Port Priest/Port Atholl 19. I Was Not... Since Martinmas/An Muileann Dubh/The Highlandman/Kissed His Mother 20. Cumha Mhic Guidhir/T im I Mo/Chodhladh Is N Duisigh M‚ 21. Maggy Lauther/Bonie Jean Makis/Meikill of Me
Le Chant du Monde edita este cd, el cual incluye integro el disco de An Triskell llamado "Harpe Celtique" de 1977, y cinco tracks del disco llamado "Kroaz Hent" de 1976.
Pol Quefféléant (Celtic harp, guitar), Hervé Quefféléant (Celtic harp, Irish flute, vocals), Alain Morizur (Irish flute, mandolin,), Pol Brieg Ruban (violin,), Patrick Lehoux (cello), Jean-Louis Nouvel (spinet), Patrick Audouin (keyboards), Mikaël Cornemuse (bagpipes)
1 Tir na n'Og 2 An Hader (Le semeur) 3 Gavotten Menez-Arre (Gavotte des monts d'arrée) 4 Distro ar mab Prodig (Le retour de l'enfant prodigue) 5 B.A.I. 6 Diaspora 7 War devenn Sant Pabu (Les dunes de Saint-Pabu) 8 Kroaz hent (La croisée des chemins) 9 Now we are Five (A présent, nous sommes cinq) 10 Diviz (Dialogue) 11 March' of the Rain (Marche de la pluie) 12 Tristan hag Isild (Trsitan et Yseult) 13 Inizi Hebrides (Les îles hébrides) 14 Ar hakous 15 An dro 16 Envorenn (Souvenance) 17 Viviana
Alan Stivell, seudónimo de Alan Cochevelou (6 de enero de 1944), es un cantautor y arpista francés de Bretaña, conocido por fusionar la música tradicional bretona con sonidos contemporáneos como el rock, así como con las músicas de otros países célticos (Escocia, Irlanda, Gales). Las letras de Stivell están escritas en gran variedad de idiomas: diversas lenguas celtas (principalmente bretón, la lengua de sus padres), francés e inglés. A menudo utiliza dos o más lenguas en un mismo tema. Stivell ha introducido (o reintroducido, desde su punto de vista) el arpa celta en la música de Bretaña. También ha modernizado dicha música y ha contribuído enormemente a su difusión, tanto nacional como internacional. En sus inicios musicales, Stivell se hizo célebre por sus reelaboraciones del repertorio tradicional, con gran variedad de arreglos y ya entonces una clara influencia de la música gaélica (irlandesa y escocesa) y galesa. Más tarde, Stivell ha ido actualizando progresivamente su música con aportaciones diversas, logrando un estilo de folk-rock a la vez personal y ecléctico, muy sofisticado. Aunque universalista (en sus grabaciones expresa a menudo su fe en la unidad y la reconciliación de todos los seres humanos) es asimismo un ferviente defensor de la autodeterminación bretona y del panceltismo. Algunos le reprochan, como al resto de panceltistas, su adscripción a un modelo romántico y erróneo del folklore bretón basado en una supuesta afinidad con la cultura musical de las islas británicas. Sin embargo, el valor de su obra y su importancia en la revitalización de la música de su tierra son hechos indiscutibles. Su nombre artístico, Stivell, significa en bretón «manantial que brota con fuerza». http://es.wikipedia.org/wiki/Alan_Stivell
01 – E parrez langonned [3:42] 02 – Gavotenn pourled [1:52] 03 – Planedenn [3:02] 04 – Ne bado ket atao [1:54] 05 – Bwthyn fy nain [1:28] 06 – Ffarwell i aberystwyth [2:16] 07 – Briste leathair pheadair/Mairseal a’chearc [1:57] 08 – Dans Fisel/Gavotten ar Menez/An Sagart Cheolnhar [2:28] 09 – Bal Fisel [1:18] 10 – Deus Ganin Me D’am Bro [2:47] 11 – Jenovefa [3:54] 12 – Sagart o Donaill [1:33] 13 – Diougan Gwenc’hlan [2:42] 14 – Ar Voraerion [2:29] 15 – Faili Faili Oro [2:20] 16 – Oye Vie [1:39]
Annie was born in Ebrel Lohuec, north of Cornwall, just outside of Treg in a farming family. Breton is spoken naturally. It sings in the tradition of the country, there is dancing to the strains of diskan kan ha. Early on, she is dancing, but still learning, especially to his master, singer Marcel Guilloux, and participating in the documentary work then led by a generation of young artists from Brittany at the same time conscious roots and opening . In 1992, it multiplies the companions of the stage, like Erik Marchand, Yann Fañch Kemener ... especially Nolùen The Buhé. With the group Diben, Annie Ebrel clear new land of song Breton, in turn paving the way for other singers At City Theatre, Marcel Guilloux is at his side, but also Italian bassist Riccardo Del Fra she met with the guitarist Jacques Pellen.
A strong and lasting relationship is tied with Riccardo Del Fra and crystallizes in a duo (the hard Voulouz Loar 1998) soon became a sextet (show Flouradenn 2001). It is feared to see Annie disappear in the shadow of his companion, on the contrary, it shines on - the practice of internationally renowned jazz musician and flourishes at his side, taking advantage of his knowledge through his advice but pursuing his own path, solo, with the group Ilu, in trio work with Polyphonic and Murielle Quelen Enora of Parscau.
Having joined his voice to other contemporary musical languages, the bag filled with all these experiences, Annie Ebrel created in 2004 a solo show, "A Voice Breton." A creation that gives pride to the naked voice, traditional and modern. Singing solo and a capella, texts and melodies controlled by different authors (singers, musicians, women and men of letters ...) in Britain and elsewhere, it offers us a show that is set in a day, from morning to night or one year and four-season or a life from birth to death. Short texts in Breton or French Brittany singing contemporary sound effects and harmonization. It creates a custom directory and clearing new land of song with a rare and very generous. It shall secure for this show the talents of authors and composers Riccardo Del Fra, when Jouin, Marcel Le Guilloux, Jean-Yves Le Roux, Kristen Nogues, Tangi Thierry, Jacques-Louis Suignard, the designer Pascal Jaouen for costumes and filmmaker Lucas Belvaux for staging.
1. An teod milliget 2. Ar c'hafe 3. Perak ma zime'er ma mamm 4. Dañs ar c'hi 5. Ar c'hi daou droad 6. Gerioù sabenn 7. Karezennoù ruz ha gwenn 8. Kuitaat 9. Ne oan nemet pemzek vloaz 10. Tosenn lein ar roz
